Books Tagged With what - topic - haunting

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Summary: It’s August of 1850, deep in the bayou country of southern Louisiana. Four good friends are working in the fields harvesting the crops when a sudden thunderstorm drives them all indoors. There’s kind, warm-hearted J. P. Ayo; eager, earnest young T-Joe Lirette; wry, hard-bitten Clovis Dantin; and gentle, easy-going Leandre Naquin. “Hell of a night,” Leandre remarks, as they share a drink and wait for the storm to pass. “The kind of night when the ghosts walk.” This seemingly offhand comment is the impetus to the four men sharing their own ghost story. The tale each man tells--by turns tragic, funny, frightening, and heartbreaking--gives them a window into their friends’ souls. When one of them confesses that his own personal ghost story isn’t over, that he’s still trapped in the middle of it, the events that follow will test the depth of their loyalty and friendship in ways that none of them could ever have dreamed. What is certain is that after that night, none of the four will ever be the same.

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Summary: The Fright Factory is here to help you as you labor in the control room, on the assembly line, or mixing the chemicals of inspiration and imagination in huge vats that give off dark and eerie vapors. Here you'll find guidance in drawing up the blueprints of your story along with a selection of tools to help you customize your design. The elements of horror include the setting, the tingle of suspense building into genuine fear, and of course the Monster. Those are the basics. From there horror can become ghost stories, tales of suspense, splatter and/or gross-out horror, and what might be called the O. Henry approach (twist endings). Cross-genre writing mixes in police procedurals, P.I. stories, and medical horror. Romance with monsters has become popular. You can also throw in the weird western, the Elder Gods, and Joe R. Lansdale - a category unto himself. Whether you're telling a weird tale in the classic tradition of Clark Ashton Smith or creating cutting edge steampunk frights, the long and venerable history of the horror story has also spawned a set of clichés you'll want to avoid. Now the whistle shrieks, signalling the beginning of a new shift. Time to set the machinery of the factory in motion as we explore the art and craft of building better horror.

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Summary: Every town has a mystery. The Crimshaw family were once the caretakers of the prestigious Strathmore Estate. After the great blizzard of 1868, the townspeople found Elizabeth Crimshaw’s body hanging from the banister. Her young son and husband were declared missing and never found.  Every town has a legend. The locals say they have seen Elizabeth’s ghost and that the manor is haunted. Others claim to have heard a woman’s scream and have witnessed strange lights and shadow people.   Some mysteries are better left unsolved. What really happened to the promising Crimshaw family? Are the rumors surrounding the family true? Intent on investigating these claims, Stephen Davenport, adjunct professor of Paranormal Studies at Strathmore University, along with students from the school’s paranormal investigations club begin a weekend investigation. What they find confirms their beliefs in the paranormal—and challenges them to simply stay alive.

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Summary: While Sacrum Umbra showed us the darkness of our own shadow, and In Ventre Tuo the guts of our inner monster, The Lesser Apocrypha is still another beast altogether. Meant to gather together the stranger stories, it contains some of the more surreal and ephemeral stories, the ones that just are without much rhyme or reason. Stories like an odd moment in the park, the strange child who won't stop haunting you, an alien invasion that gets very personal, an AI born of a lolcat, monsters in the woods, and a spell gone terribly wrong.

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Summary: Welcome, Gentle Stranger. The Night Bazaar is open to you, once more. But this mysterious midnight gathering isn’t the usual marketplace. It’s a vendor's faire not constrained by geography or time. One week it appears in present-day New York, the next in . . . well, let’s say 14th century Venice, shall we? For this time, Madame Vera and the other peripatetic denizens of The Night Bazaar return to the Bazaar’s roots. Its origin story and inaugural appearance, as the exotic marketplace pitches its colorful tents in La Serenissima, the city of a hundred canals, host to fancy glassworks, masked revelries, and singing gondoliers. And – you guessed it. Unfortunately, in 1348, to the Black Death. The market's aisles are still crowded with vendors of the rare and unusual, exotic dancers, assorted faeries, jongleurs, acrobats, mountebanks, courtesans, and purveyors of curious objets d’art. Booths feature medical oddities and strange instruments of all sorts. Tents offer passersby unusual, uncanny services. But this time, the Plague threatens the complacent citizens of Venice. Who will survive, and at what cost? The Bazaar always sells that which cannot be had elsewhere, at any price. Everything you’ve read about, but thought had passed away, or perhaps never existed. How wrong you were! For Madame Vera and her staff can take you anywhere, and anytime. You need only be Invited . . . and now you have been. (Volumes of The Night Bazaar can be read in any order; each anthology is designed to stand alone as well. Time is relative, after all!)

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Summary: There are creatures lurking in our world. Obscure creatures long relegated to myth and legend. They have been sighted by a lucky-or unlucky-few, some have even been photographed, but their existence remains unproven and unrecognized by the scientific community. These creatures, long thought gone, have somehow survived; creatures from our nightmares haunting the dark places. They swim in our lakes and bays, they soar the night skies, they hunt in the woods. Some are from our past, and some from other worlds, and others that have always been with us-watching us, fearing us, hunting us. These are the cryptids, and Systema Paradoxa tells their tales. *** Life and Death and Family Secrets... Sheridan Cascaden faces more than memories when she receives a call in the darkest hours summoning her home. Sent away five years prior to safeguard her from the evil that claimed her mother, Sheridan hasn't been back since. She returns to find her home in a disturbing state and her father straddling the Veil, with no explanation of what happened. Not only must she deal with her own demons, but she will have to delve into his if she is to unlock the mystery and save Papa's life. But where lies the line between truth and madness among the shifting shadows? And can Sheridan navigate it before it's too late... for both of them?

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Summary: The Lady in White and the Hunter of Night is Helvensgate's most beloved children's tale. It tells of two lovers, blessed by magic, whose quest ended with them sleeping for centuries, hand in hand, until they can be together once more. All of it is wrong. A thousand years ago, Adecca was sent away to serve the spirits of the dead; Mikael was exiled after being cursed by the Wood. They were each other's best and only friends—or so Adecca thought—until, with one unexpected kiss, Mikael enchanted them both with eternal sleep. Now Adecca has awakened, and the world is nothing like she remembers. The empire's machines move of their own volition, a man-eating forest is growing into the city, and conflicts between the empress and the engineering guilds is spiraling out of control. Still, Adecca could have everything she ever wanted—a home among people, actual friends!—and all she must do is ignore the supernatural mysteries writhing beneath Helvensgate and pretend she is madly in love with Mikael. Clearly something must be sacrificed for this world to be at peace. But does it always have to be her?