Back Door Into Purgatory

Rory Ni Coileain has been writing almost as long as she’s been reading, and reading almost as long as she’s been talking. She majored in creative writing in college, back when Respectable Colleges didn’t offer such a major, so she designed it herself—being careful to ensure that she never had to take a class before nine in the morning or take a Hemingway survey course.

She graduated Phi Beta Kappa at the age of nineteen, sent off her first short story to an anthology being assembled by an author she idolized, received the kind of rejection letter that fuels decades of therapy, and found other things to do for the next thirty years or so, including nightclub singing, working as a volunteer lawyer for Gay Men’s Health Crisis, and studying ballet in New York City, until her stories grabbed her by the shirt collar and announced they were back.

Now she’s a legal editor, a soprano in her church choir and the St. Mark’s Cathedral Choral Society (unless they’re singing Mozart, because she’s decided that Mozart didn’t like sopranos very much), the mother of a teenaged son and budding film-maker, and amanuensis to a host of Fae, Gille Dubh, and shapeshifters who are all anxious to tell their stories, and some of whom aren’t very good at waiting their turns.