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Baldemar

by Matthew Hughes

Baldemar - Matthew Hughes
Editions:Kindle - First edition: $ 4.99
ISBN: 9781927880203
Pages: 460
ePub - First edition: $ 4.99
ISBN: 9781927880203
Pages: 460
Paperback - First edition: $ 14.99
ISBN: 978-1-927880-21-0
Size: 6.00 x 9.00 in
Pages: 460
Audiobook: $ 24.95
ISBN: B0BF2HWR17

In a Dying Earth of wizards and walled cities, a boy climbs out of poverty when he becomes an assistant to a moneylender’s debt collector, then enters a career as henchman to a young, ambitious thaumaturge.  But Baldemar’s career as a wizard’s minion goes sideways after a powerful entity left over from the creation of the cosmos finds him useful for its own ends.

Now he must tread a perilous path peopled by dukes and demons, spellslingers and secret agents, assassins and academics, plus a pair of vengeful wizards who want their stolen treasures returned.

His course will lead him through the Underworld and Overworld, and along shadowy paths in the tenebrous realm known as the Glooms, to a final confrontation that will test Baldemar’s hard-won knowledge to the utmost.

Excerpt:
Reviews:Steve Fahnestalk on Amazing Stories wrote:

For those of you not familiar with Matt’s writing, he’s pretty prolific guy, whose “magnum opus,” What The Wind Brings, I reviewed in December 2019. According to the back cover of Baldemar, Matt has “won the Endeavour and Arthur Ellis awards, and has been shortlisted for the Aurora, Nebula, Philip K. Dicks, Endeavour (twice), A.E. Van Vogt, Neffy, and Derringer Awards.” He has also been inducted into the Canadian Science Fiction and Fantasy Hall of Fame.

Previous to this book, his other Dying Earth stories, about the thief named Raffalon, have been collected in 9 Tales of Raffalon, in 2017. Both the Baldemar and Raffalon stories were previously published in various venues, like a couple of the late Gardner Dozois’s anthologies, and The Magazine of Fantasy and Science Fiction (F&SF), but the previous book was merely a collection. This volume has had the stories slightly revised and had interstitial material added to make them into more of a cohesive novel-length story (an endeavour that worked quite well, IMO).

In some ways, the Raffalon stories are a bit more Vancian, in that things don’t always go well for the aforementioned thief, who often finds himself holding the short end of the stick, and whose best-laid plans gang oft agley; Baldemar is a bit less optimistic and a bit more collected than Raffalon ever was, although the thief makes a brief yet significant appearance in Baldemar’s own book. It’s been many years since I’ve read any of Vance’s books—a failure I plan to remedy in less than geologic time; but in my opinion, Matt Hughes is well positioned to take the Dying Earth mantle from Vance’s shoulders and lay it across his own.

When Baldemar was ten, he was small for his age, and his mother decreed he should attend school. After some resistance, he acquiesced, and on his way there, he was accosted by some bullies, who bruised him some and took his half-penny lunch money. This continued until he conceived a plan to hire a strong-arm henchman for a local moneylender to put an end to the bullying (using the lunch money he already wasn’t getting any benefit from). An unlikely friendship grew between the small boy and the henchman; and by the time he was thirteen, Baldemar was running small errands for the henchman, named Vunt, and earning money rather than spending it. At sixteen, having left school, Baldemar (thanks to Vunt) had become a junior henchman himself to the wizard Thelerion, a not terribly highly placed adept of the Red School.

Over the next few years, Baldemar makes friends with a more highly-placed henchman named Oldo and, by keeping his eyes and ears open—and his wits about him—rises in Thelerion’s service. Although he never grew substantially as he aged, Baldemar was in prime shape physically, thanks to Vunt’s training in physical exercise; and he watched, and learned, and eventually served both his master well—though his ambition was to never rise farther than the rank of henchman, having seen the kinds of falls overweening ambition and greed can bring to people.

A number of adventures, mostly prompted by Thelerion’s ambition (most wizards are ambitious, though their ambitions are usually aimed at leaving the plane they are on and going in person to The Overworld (Paradise, Heaven, call it what you will). During those years, Baldemar finds himself aided by an object of power, called the Helm of Sagacity, which was actually a projection into the world of an extradimensional being of great power and complexity. A number of adventures happened, while Thelerion attempted to use Baldemar and his new “friend” the Helm to achieve Thelerion’s own desire (as stated above).

Eventually, Thelerion—as wizards often will—overreached himself and Baldemar was able to retire on his savings (and judicious pickings from the remains of Thelerion’s estate) to a fishing boat and cottage in a small village far from Vanderoy. But his story doesn’t end there.

This is far from a comprehensive recounting of Baldemar’s times and adventures; and I have by no means even begun to convey the wonderful Vancian tongue-in-cheek language that Matt uses when telling of Baldemar’s life and times. Even though I’d read most of the stories before as separate stories, I enjoyed this book from beginning to end. I think you will too—and I plan to get Barbarians of the Beyond as soon as I can.


Baldemar came into existence in a novelette, "The Sword of Destiny," in an thology called The Book of Swords, edited by Gardner Dozois and George R.R. Martin.  I liked the character and decided to write several more novelettes featuring him, which I sold to The Magazine of Fantasy & Science Fiction.  After the rights reverted to me, I put them together as an episodic novel, adding one more story to complete Baldemar's character arc as a wizard's henchman.

About the Author

I write space opera science fiction and fantasy mostly set in my extrapolation of Jack Vance’s Dying Earth. I make no bones about being heavily influenced by Vance, whose work I first encountered as a thirteen-year-old in the early 1960s.

Booklist has called me Vance’s “heir apparent” and George R.R. Martin says I “do Jack Vance better than anyone except Jack himself.” I am very proud to have been authorized by the Vance estate to write BARBARIANS OF THE BEYOND, a companion novel to the DEMON PRINCES series.

I’m Canadian, a university drop-out from a working-poor background. I’ve sold twenty-four novels to publishers large and small in the UK, US, and Canada, as well as nearly 100 works of short fiction to professional markets.

I've won the Crime Writers of Canada's Arthur Ellis Award and the Endeavour, and have been shortlisted for the Aurora, Locus, Nebula, Philip K. Dick, Endeavour (twice), A.E. Van Vogt, Neffy, and Derringer Awards.

In 2007, I took up a secondary occupation -- that of an unpaid housesitter -- so that I can afford to keep on writing fiction yet still eat every day. These days, any snail-mail address of mine must be considered temporary; but you can send me an e-mail via the address on my web page: www.matthewhughes.org. I'm always interested to hear from people who've read my work.

I also have a Patreon page: https://www.patreon.com/user?u=4687520