horror – gothic

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Summary: Rose Titus, author of The Vampire Next Door Trilogy, now brings together a collection of her best short stories. Here in this book you will find tales of vampires, werewolves, witches, ghosts, space aliens, and even a few angels. These stories answer questions such as where do we go after we die? What is the future of this planet? And what is the future of humanity? There are also stories of young runaways, old hippies, worried mothers, troubled families, love gone horribly wrong, selfish billionaires, people who find themselves suddenly homeless, old men with their recollections of days gone by, and girls gone wild! There may even be a murder or two.

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Summary: He was the shameful cause of his sister Elena’s death and he stole state papers from England, yet Adrian Hart is feted by the best of society in Rome, and boldly dubs himself ‘Iago’. Determined to avenge Elena, his unrequited love, Lieutenant Andrew Sullivan asks the advice of poet and Shakespearian John Keats, and his artist friend Severn. Soon Percy and Mary Shelley join them, then Lord Byron and his servant Fletcher. But how can the seven of them work against this man, when they can’t even agree what he is? The atheist Shelley insists that Hart is an ordinary man, while Byron becomes convinced he’s the Devil incarnate, and Keats flirts with the idea that he’s Dionysius… As death and despair follow in Hart’s wake, Sullivan knows he must do something to stop Hart before even Sullivan himself succumbs – but what…?

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Summary: The Fright Factory is here to help you as you labor in the control room, on the assembly line, or mixing the chemicals of inspiration and imagination in huge vats that give off dark and eerie vapors. Here you'll find guidance in drawing up the blueprints of your story along with a selection of tools to help you customize your design. The elements of horror include the setting, the tingle of suspense building into genuine fear, and of course the Monster. Those are the basics. From there horror can become ghost stories, tales of suspense, splatter and/or gross-out horror, and what might be called the O. Henry approach (twist endings). Cross-genre writing mixes in police procedurals, P.I. stories, and medical horror. Romance with monsters has become popular. You can also throw in the weird western, the Elder Gods, and Joe R. Lansdale - a category unto himself. Whether you're telling a weird tale in the classic tradition of Clark Ashton Smith or creating cutting edge steampunk frights, the long and venerable history of the horror story has also spawned a set of clichés you'll want to avoid. Now the whistle shrieks, signalling the beginning of a new shift. Time to set the machinery of the factory in motion as we explore the art and craft of building better horror.