Horror stories where men hunt monsters and vice versa. Return to general Horror
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Word Count: Information not available
Summary: The Fright Factory is here to help you as you labor in the control room, on the assembly line, or mixing the chemicals of inspiration and imagination in huge vats that give off dark and eerie vapors. Here you'll find guidance in drawing up the blueprints of your story along with a selection of tools to help you customize your design. The elements of horror include the setting, the tingle of suspense building into genuine fear, and of course the Monster. Those are the basics. From there horror can become ghost stories, tales of suspense, splatter and/or gross-out horror, and what might be called the O. Henry approach (twist endings). Cross-genre writing mixes in police procedurals, P.I. stories, and medical horror. Romance with monsters has become popular. You can also throw in the weird western, the Elder Gods, and Joe R. Lansdale - a category unto himself. Whether you're telling a weird tale in the classic tradition of Clark Ashton Smith or creating cutting edge steampunk frights, the long and venerable history of the horror story has also spawned a set of clichés you'll want to avoid. Now the whistle shrieks, signalling the beginning of a new shift. Time to set the machinery of the factory in motion as we explore the art and craft of building better horror.
Word Count: 254
Summary: Nukekubi are a form of Japanese goblin that during the day look like ordinary folk. At night they separate their head from their body and fly around scaring people to death to feed on the energies released. Ray McAndrues, a Pagan wizard/priest, encounters a Nukekubi that is feasting on the people of Toronto and decides that he has got to put a stop to it. Ray gains allies in his quest in the form of two Japanese martial artists who have made hunting Nukekubi their life’s work and his on-again, off-again girlfriend Cathy, who is also a mystic. Problems arise when east and west do not communicate wall and Cathy is his on-again, off-again girlfriend. Also, what is the centuries-spanning tie that binds Ray to the Nukekubi and will it help or hinder the quest?
Word Count: Information not available
Summary: As the Conover family drives from L.A. to Chicago strange things begin to happen. Nine year old Michael sees a face form in the window of the family car. Two creepy children stare at fourteen year old Alison at a motel. A car follows the family for many miles, then hits their car and drives away. Wherever the Conover family goes, wherever they look, they see a large woman and her children coming closer. The woman and her children are superhumanly strong. They can enter a locked room without opening the door. Confused and scared, the Conovers can’t comprehend what is happening to them. Everywhere they turn they see the woman and her children. The woman is Mama, and as she teaches her children, like a lioness teaching her cubs to hunt, the Conovers realize that they are the prey.
Word Count: 120412
Summary: Sarah's got daddy issues. He lives in her head, built her out of fish, and killed millions of people. But he's really sorry. Honest. A father that lives in your head wouldn't be so bad if he wasn't the killer of millions. At least it's comforting to know that he didn't murder the fishes used to create your body. Or the seagull. Sarah hides her illegal nanite origins in an effort to build an ordinary life, but the legacy of dad's horrors makes it difficult. Especially when new but familiar zombie-like abominations begin to appear in the city.
